![survive the nights reddit survive the nights reddit](https://i.ytimg.com/vi/DCT8h6aUIN8/maxresdefault.jpg)
![survive the nights reddit survive the nights reddit](https://blog.playstation.com/tachyon/2021/10/0ae773c65d2970047757669494b5e7694cfe84f5.jpg)
None of that is groundbreaking, but the Night Teeth team clearly wasn’t out to break any ground. These elements are arranged in a familiar format, with mostly off-screen blood-spatter, a high-speed chase scene or two, and some cheeky lines from Dillon that are a little too Joss Whedon-y, like the musings over whether a person would “give good blood” or “the best suck,” or the joke about a human who “bites back.” Night Teeth’s creators pick and choose elements from the canon: a generations-long feud between the living and the undead, unaware humans thrust into a world they don’t understand, vamps who are ambitious to climb up a corporate-like hierarchical ladder. Sometimes they feel more like aggregators than creators, which understandably might turn off cinephiles (or vampire fans) looking for a new experience.
#Survive the nights reddit full
For that, we can thank Colin Farrell in the 2011 Fright Night redo, Salma Hayek in From Dusk to Dawn, the late Bill Paxton in Near Dark, and everyone in The Hunger for their service.Īll of this is to say that Night Teeth director Adam Randall and screenwriter Brent Dillon had a wide array of inspirations available to them, and they take full advantage. And of course, there’s the sexy stuff, because the vampire figure has always been wrapped in a kind of sensual mystery. There’s the campy stuff, like The Lost Boys, and the comedy stuff, like Vampires vs. There’s the feminist stuff, like Buffy the Vampire Slayer and A Girl Walks Home Alone at Night, and the melancholy stuff, like Cronos and Let the Right One In (and its 2010 English-language remake, Let Me In). There’s the Gothic stuff, like Anne Rice’s whole oeuvre, the religious stuff, like Midnight Mass, and the teen-fantasy stuff, like Twilight. Vampires have appeared in folklore all over the world for centuries, and pop-culture adaptations of bloodsucker stories come in all forms and flavors. But as a remix of the vampire thriller’s most lizard-brain-focused qualities, Netflix’s latest Halloween offering is appreciated for how few demands it puts on its audience. Night Teeth isn’t genuinely original, substantive, or scary. Sometimes, a mildly trashy film is good enough for a couple hours of distraction, especially if it takes its premise from Blade, Underworld, and numerous other bloodsucking B-movies its costumes from a burlesque revue of Francis Ford Coppola’s Bram Stoker’s Dracula and its (too-brief) Megan Fox performance from Jennifer’s Body. Sometimes, challenging cinema is overrated.